Nadezhda German

rebootet

Kreideküsten

The trade-off is that actors must work harder to project their energy from the stage into the house than they do in other theatre forms, because proscenium theatres, especially those without apron stages, tend to make the audience observers of the drama rather than people.

end stage theatres

House is the most generic term used to refer to the audience’s space, in that it focuses attention on the experience that can be had by the audience without favouring any one aspect of that experience.

end stage theatres (of which prosceniumtheatres are a subset)

apron stages ( относительно сцены театра)

кораблекрушение