Whilst phonating, singers monitor their sung tone through both air conduction and bone conduction hearing (auditory), use audiation to anticipate their next sung tone (auditory), listen to the accompaniment (auditory), follow a score (visual), sometimes watch a conductor (visual), assess their own physical status by checking muscular recruitment, posture, etc. (touch / kinaesthetic-proprioceptive), and in many performance conventions (e.g. opera, music theatre) must also watch, listen to, and physically respond to other performers (visual, auditory, touch/kinaesthetic).

Меня смущает, что это все-таки не audition, а audiation.
Контекст:
Whilst phonating, singers monitor their sung tone through both air conduction and bone conduction hearing (auditory), use audiation to anticipate their next sung tone (auditory), listen to the accompaniment (auditory), follow a score (visual), sometimes watch a conductor (visual), assess their own physical status by checking muscular recruitment, posture, etc. (touch / kinaesthetic-proprioceptive), and in many performance conventions (e.g. opera, music theatre) must also watch, listen to, and physically respond to other performers (visual, auditory, touch/kinaesthetic).

Меня смущает, что это все-таки не audition, а audiation.
Контекст:
Whilst phonating, singers monitor their sung tone through both air conduction and bone conduction hearing (auditory), use audiation to anticipate their next sung tone (auditory), listen to the accompaniment (auditory), follow a score (visual), sometimes watch a conductor (visual), assess their own physical status by checking muscular recruitment, posture, etc. (touch / kinaesthetic-proprioceptive), and in many performance conventions (e.g. opera, music theatre) must also watch, listen to, and physically respond to other performers (visual, auditory, touch/kinaesthetic).

http://giml.org/mlt/audiation/ - единственное, что удалось найти